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Caca Soleil , 1970 |
I discovered Hervé Telemaque in New York some years ago when I had been
there specifically for the Abstract Expressionism (particularly that of
Aschile Gorky and Willem De Kooning). I was bowled over by De Kooning’s
women so Telemaque took second place.
Telemaque is Haitian and was very mixed up about his identity. I would
think that there had been a pervasive racism which intensified his sense
of rootlessness. Much of his work is full of emotions in deleted signs,
furious words and enigmatic pictograms. From the titles, we discover
that there is a sexual anxiety. However, reading a title and then
looking at the picture I found it quite difficult to associate the two.
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Fonds, d'actualité N°, 2002 |
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Toussaint, L'ouverture à New York, 1960 |
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J'ai appris la nouvelle, 1960 |
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Histoire sexuelle,1960 |
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L'annonce faite à Marie, 1959 |
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Autoportrait, 2002 |
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Le moine comblé, 2014 |
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La Séancière 1, 1996 |
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Chauve-souris, 1994 |
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Caraïbe 1, 1993 |
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Etude pour fil, 1989 |
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La Mère-patrie, 1981 |
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Charrette à bras: le visible, 1979 |
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Coupe n° 1, 1972 |
A surealist period
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Suite à Magritte, 1971 |
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Suite à Magritte, 1971 |
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Passage, 1960 |
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La Gourmandise, 1974 |
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Objets usuels, pour Vincent van Gogh?, 1970 |
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Venus Hottentote n°2, 1962 | and very like Bacon |
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La Femme adultère 1, 1995 |
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Entre-jambes, 1994s |
He came to Paris to live in 1961 with the baggage of some of the greatest American artists belonging to Abstract Expressionism movement . De Konning, Pollock, Rothko but soon he tired of this school and began once again to re-exlore a narrative approach to his work.
There was apparently a bad accident which damaged his spine and for quite some time, he needed to wear a corset. This comes through many of his paintings but once again, if you didn’t know the background, it would be difficult to understand the collages, sculptures, paintings represent what I suppose was the corset.
Many mediums were used, Collages (1974-1980) Assemblages (1979-1996) Charcoal drawings (1999-2002) and his most recent painting (2000-2015) when the subjects are mainly political.
For once the different periods did not influence me. Such a retrospective with over 50 paintings - well over - can been daunting. Many of his paintings I liked and many I didn’t. But it was the painting, not the period……
There was one painting which took me back many years to a film which probably marked me for a long time.........
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