THE CHOICE OF ONE OF THE RICHEST WOMEN IN THE WORLD
Naturally I knew nothing about this woman.
Alicia Koplowitz is very well known in her home country, Spain. Thanks to her company, the Capital Omega Group a comprehensive financial services company, she has become an important collecter Alicia is is a Spanish business magnate. When her father died, she and her sister inherited Construcciones y Contratas, S.A. (CYCSA), a company founded by her father. She sold her part of the company to her sister and created one of the largest family offices in Europe called Omega Capital. She ranks as Spain's richest woman in Forbes 2013 World's Richest People list
Even if there is no particular focus to the collection, just works that she was very attracted to.
Most of the great artists of the 20th century are represented. A Mark Rothko masterpiece N°6 (Yellow, White, Blue over Yellow on Gray), which is made up of large flat areas of color, devoid of distinctive signs the different intensities of light and color clash and force themselves on the viewer’s attention. You like Rothko or you don’t. I do. When moving around his work, brush strokes can be seen and sometimes, you feel as if you could enter into the painting itself.
Rothko |
A beautiful but unsettling work by Lucian Freud. Freud’s « Young Girl in a Fur Coat », (1967) is loaded with greys, whites and browns, in the blotchy face and distracted gaze, Freud deliberately rejects any temptation to charm. He may well have been one of the most prolific portrait painters of his time, but nobody is beautiful and sometimes quite ugly. He charged fortunes to those who sat for him.
Picasso "HEAD AND HAND OF WOMAN" 1921 |
Pablo Picasso, Woman’s Head and Hand is one of the first pictures where we see how parts of the body will become large and ungainly.
MODIGLIANI - 1918 |
Amedeo Modigliani, Red-headed Woman wearing a Pendant,
A.K and Goya, the Countess of Hero around 1802/03 |
Alicia obviously has a penchant for female portraits. There are 8 displayed on the 53 pictures presented. The modern works I liked but although I can admire the Golden Age of Goya and certainly the portraits of that period are a little easier to take than later works…I am still not overly attracted to 18th and 19th century art. But the above modern and 19th century portraits display real beauties!
MANUEL CAMARON Y MELIA - "Majos dansant le boléro" 1795-1805. This certainly has a lot of charm. |
Kees Van Dongen "Lady with large hat" - 1906 |
Picasso (I don't think that I would have guessed). "Demi-nu à la cruche" 1906 |
I certainly would not have guessed who had painted this either, even if she had been depicted in many of his paintings. Yes, it's a Toulouse-Lautrec.
"Girl Reading" - 1889 |
The modern and contemporary art rooms were relatively calm. Two groups were magnetized to different Goya portraits. I was lucky and even if photographs were not allowed, I made up for that when I got home.
Miquel Barcelo (You have seen his work quite | bit on my blog. "The Yellow lake" 1990. They are animals hoping to drink water |
A very unusual Van Gogh painted in 1890 |
"Women at the edge of the river" 1892 |
"Kula Be Ba Kan" 1991 |
This too is unusual for a Paul Gaugin. Usually his women painted in idyallic settings are much larger. Here they seem to be in the distance and much more graceful.
Miquel Barcelo again.
Antoni Tapies "Parallels" -1962 |
A small spider of Louise Bourgeois - 1998 |
Willliam de Kooning "No title lV" - 1997 |
Giacometti and Germaine Richier |
Julio Gonzalez ""Daphné" -1937 |
What a wonderful Picasso. "Portrait of a Young Man" 1900 |
Egon Schiele "Woman in a blue dress" -1911 |
As Koplowitz is such a private person her life story is unknown. She rarely attends social events unless they have been organized by one of her foundations. The collection is eclectic yet the different centuries live together comfortably even if I was drawn to the modern and contemporary work. I’m sure Alicia Koplowitz will go on collecting.
Commentaires
Questions: does a collector spend time every week looking at each painting they own, or are the paintings there just as impressive wall decorations, or are they viewed simply as lucrative investments?