WHAT A PAINTER DESPITE ALL THAT PAIN...
THE Face of Frida : Frida Kahlo is everywhere. The late Mexican artist has inspired a craze that has captivated Madonna, museums, mug makers and the popular imagination.
The Los Angeles Times in 1991.
Fridamania |
Fridamania |
Fridamania |
She inspired designers, writers, advertising agents…..and probably many more. I had seen exhibitions where her work had been included and a very small exhibition of her paintings at the beginning of the century. This time however, it was « Art in Fusion » her work along side Diego Rivera, her long time partner.
They were inseparable and both had a shared passion for their country (Mexico) and committed to the same political struggle. Her work is very different from Rivera’s which doesn't always inspire me. I find it static (apart perhaps from the huge political paintings he did) although his early work in France even if he was influenced by the cubists is quite "me". His later portraits which I find rather like clothes models seen in shop windows. However, I should add that I prefer his work when I see it alone but somehow Frida's work is stronger for me.
Rivera - around 1916 |
Rivera - around 1916 |
Rivera - around 1916 |
Rivera - The Conquest |
Rivera Revolution |
Frieda Khalo -1944 Mme Morilla |
Rivera Retrato-Do-Irene-Phillips-Olmedo-1955-small |
Rivera - Le feu 1929 |
Their work differs immensely. Frieda’s reveals the turbulent upheavals in her life with the periods of intense physical pain, the result of a serious accident in 1925. Frida was a passenger in a bus that collided with a train. As a result of this accident, in which several passengers were killed, her abdomen was pierced by a metal bar. The painting of the bus is hardly realistic. More like a station. The people in the bus are also very real. Or Art Brut .......
Frida Kahlo Bus 1929 |
Following an operation she was confined to her bed and there she painted lying down with the help of an easel and a suspended mirror. There were miscarriages and long periods of chronic suffering. Yet her work although depicting these horrific periods has life and somehow for me, even hope. She’s passionate, expressing her feminist position. Nearly everything is in a small format in comparison with Diego’s. She created an iconic status for herself. Her portraits come alive and it is not difficult to « feel » her pain and suffering. That is why I admire her, her work and have done so ever since I discovered it.
La Petite Virginie 1929 |
Kahlo - portrait of Alicia Galant 1927 |
Le Petit défunt Dimas Rosas - 3 ans 1937 |
Portrait de Luther Burbank 1931 |
Coeur, cactus et foetus - no date |
Surrealist period "The Flower of Life"1944 |
Henry Ford hospita1932 |
Self Portrait 1926 |
Self Portrait 1940 |
Two Fridas 1939 |
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