"Looking at Lowry "(1887-1976) That's what the exhibition was called .We were to see it at the Tate Britain in London. Pierrette had pointed out some of his work to me, but I knew nothing other than the artist had depicted the industrial revolution in the UK with accuracy. He was also known for his "stick people" and I could add "stick dogs"! If he was a painter of "modern life", the period recalls that of the impressionists but that period in Europe was, as far as painting goes, much more serene. Lowry was obsessed by crowds and that was probably unfamiliar in painting of that period.
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Going to the Match 1953 |
The football match
A sky full of black smoke belching out of industrial chimneys,
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Wigan 1925 |
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A manufacturing town 1922 |
Strangely enough, he was better known in France between 1928 and 1933 as his work was presented in the autumn Salons and critics were good. I guess his work reminded the French critics of artists they knew such as Pissaro, Seurat or Utrillo. I found it difficult to believe that his "Bandstand Peel Park" in 1928 was influenced by Seurat's "Sunday in the Park at the Ile de Jatte" .......
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Bandstand Peel Park 1928 |
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A Lancashire village |
He was a painter of the "working class"
"where there's a quarrel there's always a crowd" he said
Poverty loomed large during the economic depression and it may still today with our own economic crisis, but I am very greatful I did not have to live in the previous conditions. His industrial paintings are dark with dots of red which makes everything come into perspective.
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Coming home from the mill 1928 |
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The Lake 1937 |
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People standing about 1935 |
His happier street scenes seemed to be more colourful and here there was some hope for a brighter future. In a funny kind of way, I would call him a modern Jerome Bosch All these tiny people and crowds. Bosch though does not seem to be reptitive. Lowry is. Looking at the catalogue at home in Paris I became confused between paintings. How I seen this one? Or another?
Next I will go to see "Australia" at the Royal Academy. I doubt if I will know many of the modern or contemporary artists. We shall see.
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