Articles

A HISTORICAL DETOUR

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Compiègne Palace By now I would think that anyone who reads these chapters, knows that I am no historian. Without the past there would be no present and the past in many ways makes us what we are today. Coming from Australia and in a Tasmanian school, local history was important but European took very much second if not third place. It was not easy when I first came to France to understand French history, combine it with English and get my facts right. I still find it very difficult. I have purchased small history books over the years which I read - and then in minutes, I have forgotten what I read. Consequently, visiting historical monuments is not really in my line. Appreciated for their usually overdecorated and gilded furniture, the practical side of me, tends to ask « down to earth » questions, such as « Did they really enjoy living in such pomp? » « Where is the kitchen? » « Why were the beds so high and small? » I could go on....

DO YOU BELIEVE IN ANGELS?

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After Marseille, we are to visit a very strange city. First of all you should know that our « Monumenta » takes place each year in the Grand Palais. The Minister of culture invites an internationally renowned artist to take over the 13,500 square metres or 145,312.79 square feet with an installation. Whichever measurement you look at,  it is huge. I have seen all the installations, Anselm Kieffer in 2007, Richard Serra in 2008, Christian Boltanski in 2010, Anish Kapoor in 2011, Daniel Buren in 2012 ( ART AND EXCENTRIC LIGHT )  and now Ilya and Emilia Kabakov take over the Nave. Internationally renowned? I certainly didn’t know either l of them.  Ilya Kabakov, ( 1943-) we are told, is an international figure on the Art scene. Russian of course and started working as a full time artist in the 60’s. Installations, sculptures and paintings. His wife, Emilia graduated from the Faculty of Music, studied Spanish literature at the Moscow university. Since 1989, they l...