Articles

Affichage des articles du septembre, 2013

AUSTRALIA - MAKING ME NOSTALGIC

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I wonder what images you conjure up when the word Australia is mentioned? Mine are space, colour and star lit skies. The country originally belonged to the Aborigines and it wasn’t until the 1600s that explorers came in touch with the continent. There were other explorers before James Cook arrived and even noted that the «aboriginals were far happier than we the Europeans...» They had a close contact with their country. In fact when Cook dropped anchor in Botany Bay in 1770 and claimed Australia to be British he confronted mankind’s oldest continuous culture and disembarked on the most ancient land on earth. It’s not surprising that the indigenous art is so captivating and tells us all the stories of the dreamtime. We were cruel and destructive toward the aborigines. It’s not so long ago since the Australian Government asked to be pardoned. Today, I often ask myself if the Aboriginal tribes are happy - how much have they lost of their traditions? - are the artists painting for th

IS LOWRY A MODERN DAY JEROME BOSCH?

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"Looking at Lowry "(1887-1976) That's what the exhibition was called .We were to see it at the Tate Britain in London. Pierrette had pointed out some of his work to me, but I knew nothing other than the artist had depicted the industrial revolution in the UK with accuracy. He was also known for his "stick people" and I could add "stick dogs"! If he was a painter of "modern life", the period recalls that of the impressionists but that period in Europe was, as far as painting goes, much more serene. Lowry was obsessed by crowds and that was probably unfamiliar in painting of that period. Going to the Match 1953 The football match A sky full of black smoke belching out of industrial chimneys, Wigan 1925 A manufacturing town 1922 Strangely enough, he was better known in France between 1928 and 1933 as his work was presented in the autumn Salons and critics were good. I guess his work reminded the French critics of artists

AN UNFORESEEABLE MIXTURE OF ODDITIES

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A strange week full of oddities which I would normally not go to see. The first was in the Orangerie in the Luxembourg Gardens. Just on for a couple of days and as usual, I had time before going to a conference. Three artists. Niki Stylianou «Forest - Shadows and Light». Kilar with wooden sculptures and Fikret Moualla, paintings. The document outside the museum didn’t say much more than that. I liked Niki’s work. His father was Greek, his mother Russian and he lives in Paris. Not bad going. I would think that he had a real fascination for trees. He worked with wax which led him into a new area. Trees and each tree with its movement led him to another. Each sculpture had a different movement and his sculptures were reflected in his paintings. If you could define them as such.     I’m afraid that I have nothing to tell you about Kilar and not much about Fikret Moualla, although there is a lot on Internet.  Kilar's scculpture F